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Ian Patterson : Two poems Laugh Like a Piano after T.S.Eliot Stunned under hotspur vehemence, oddstarlings on a garden gnome, we waver, descend lightly yonder glass-pure flows, your withers panting apace, & fall then to the ground in turn with a few gipsy mementos in your ice bottles waving twice to some light in the air. So a wood has hidden leaves, so a wood has adders tanned and angry, so a wood has letters solely vested & boding dawn ambrosial, as the mined desert forebodes hazard. Ice defined as a wave incompatible with life and death, as a way with a boastful ampersand & an implant faceless as a mile shaking the sand. Sheets torn away bitter as the external weather impaled my margin, harsh Eumenides. Money, descend O Money! How is a hero ever harmed in sandals, arms feeling so loose as I wander home that they shoot a bond trader. My shirt has lost a chest, your hand a posy. Some tunes these cozy stations steal amuse The rubble. Midnight. And no-one's repossessed. Some Title I Basic flame stands in yellow fog as copse or corpse logging functions in the distance of the general earth, a charred mill stands out of narrow time roundly offered over dim followers at war with the faces often recognised. Stake ripped in the heart of us, from elders on, or a blind or a lamp dew on grass flickering to dying out can only re- cord what it won't forget until after a sleep. Come over all the bridge, nightingales, go for the acorn hue, jeopardise thrill to a dull ochre. Drop infancy holdings from another long night of vertiginous collapse, give her a renewed taste for life and tidy up and cook it. Clean the primal stove, looking up. Opt for thinking under grids and over tasty this and that function as if, say, a stone to be pro- nounced or put in the way of how it turns out. In another naughty hit a couched delphic feeling does not transform any animal in a letter to thy hart. The jug, the bowl, the impasto is my retyred minde, you find it out at a long laugh scorning all the cares of famine, fabric choice driven from skies and hedges into normal bin end searches for even a lark. Say what you hear, the light has gone and detach and expel take their place as überwords conjoined to us. Let me put this out. Though roses flag and dip in dark memory, stress disrupts their prosody from one to the other and ever back again in September, where dash is tied down to handle with care, or if you wish and drop suddenly out of sight, death. Set this to come and go and swallow it down until it clips a lie like a peppery olive rises in a mother clasp, all grist and iris dresses. If it's old enough I'll pay to have it, truly. I'll pray to have it, to make it clear within, and contained with a mind to match. At the start of this clue what but pain? Kingfishers for mental concept of growth as opposed to even moral sex in a chair, as he would say, how sad after the reading yet another transformation of the part. Pinch is destroyed, warm feelings, colour gummed up and over views of treacly Sunday dissent. Go down and see, answer the door, step after step. Drawn by the very worst for what? Wear? Huddle of erosion may help as if listening also describes a frame of open doors and windows, if there is a sense of movement perhaps even found to matter. Kelp bed and west wind, cries of a pen in various ways of treating me just kind of melt the flora of exile. Play is implored by the bank whereon the time expires in Latin letters, the break comes naturally if the ringing is exact enough to grow on the shore. |
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Part One of "Some Title"is the first section of a longer poem | |
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Copyright © Ian Patterson and Jacket magazine 1998 The URL address of this page is http://jacketmagazine.com/04/patterson04.html |
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