J A C K E T # 6 contents page | homepage |
| Maxine Chernoff Three poems |
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SHE SHOWS YOU WHERE TO LOOK Names and forms and from a crouch a trial before breathing. Mirages bruised, "big fluffy flakes," speech, and notions. The nations scattered, an attitude of blue-- useless preface to the waves bleeding, the hand, occult, the name erased by jazz and heartstrings. Orpheus misspelled. Her eager thoughts, stumbling, spare. A fickle calypso moving in the distance, like June light in broken February sky. |
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BENEATH THE FORM A Zen student and a great blue heron. A Christmas wreath and her short blue dress. The dust of art, best name for a colorless liquid. The concept of God, hungry and receding. Poet as laborer, the uses of stone on Saturdays when momentary release gives way to eternal dilemma, when Sam asks Darryl to pull over at the next translation. Tainted author of your own sad birth, between breaths you are your own witness, your own excavation. |
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CARE As a tableau in search of innocence she looked desperate, translated, lured by approval toward metaphor and soup. He had the presence of a king, kindly providing a counterexample of grace and obedience. As in "history is broken," consciousness breathing, all notions sinister. Inside the room, they staged the definitive production of the quest motif in Western corporations. We waited, dewy-eyed, naked, more observers than readers, more smoke than guarantees. |
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Maxine Chernoff |
J A C K E T # 6
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