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| Jennifer Moxley Fear of an Empty Life |
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All the long imprint of a smooth utterance - a single adhesive word slips away, snuggles beside the accusatory newborn thought which, barking from lack of care, might trap in a moment of serious sorrow me and my dirty heart, we twist the arm of friendship 'til the ancient swing by the nonchalant body is rewritten as a trembling, angry, grudge. Split along the physique axis of wrested love and that human pulp the wealthy mock, old need, a shuffle from the coffin lip silences mind into fiddlehead body, bobbing in the fifty-fifty sheets, weighty yet so pitiful it cannot coax solution - Darwin was a fool, conductor of teeming masses, I see them now in sedimentary patterns, crushed umber colors and a hint of green. I am content when I do not think the disclosure of love is a weakness, I imagine myself invincible like a bully who sees in the fear he coerces from his weaker brother the only version of truth he'll believe - satisfied sleep. I awake drenched, the sweat between my breasts which are so small they cannot touch is slick as mucous. The surface of beauty is awful and enormous to all of us who are left behind and yet we seek our coordinates, willfully follow them just the same as the moon might seem from certain angles to willfully follow the earth. Choking pink ribbon of thought fails the ferry crossing. Who cannot push life-sustaining rationalization away without remembering, as though an error of judgment, the callow power of preservation turned to resentment of the race. It cannot, no matter, in verse, be real. Fucked up beauty subtracts the awkward ugly plain ache of tripped-up memory stores where I see you as a taut wing of fragile older skin whose pride of effort flaps in an attempt to fly amidst its own disintegrating structure, a sight so ridiculous that all but the buried are unable to suppress their laughter and turn away. That's an image hovering above me here where there is still in my imagination a cool carpet underfoot, a flavor of drug's seductive distances, the expense of early exits but no gun, never a gun. That weapon steals time for it knows not what's in a minute. Tiny blindfold box of selfish stomach, parasite life, the measure of a second is insufficient to leave you behind, you and all your crippling indifference. |
Jennifer Moxley is the author of Imagination Verses (New York: Tender Buttons, 1996) and the translator of Jacqueline Risset's The Translation Begins (Providence: Burning Deck, 1996). Recently she has published work in Action Poétique (France) and Vagant (Norway). "Fear of an Empty Life" will be included in Wrong Life, a small collection of new lyrics forthcoming from Equipage press in Cambridge, England. Originally from California, Jennifer Moxley now lives in Paris with her boyfriend Steve Evans. You can read another poem by Jennifer Moxley in Jacket # 2. |
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