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Yet the soft heavy rain was falling at the same time as clinging.
A homeless musician -- having a dog that is a boxer, where he'd sit and play on the street -- others fleeing return on the street by him. The dog the boxer's rear half is a tulip or pod emerging. The dog is still half existing
the pod is liquid-covered worm that is transforming the dog
The homeless musician then is not on the street. One is transformed by the pod, but appearing as oneself. The pod duplicates separately from one but closeby. It isn't dreamed or dreaming. When the others at the moment pass running, the still living as that being oneselves are fleeing.
A liquid-covered worm transforming a person, who has to sleep, in daylight.
A social butterfly has no contemplative faculty (because I say so) -- that is that of the other, the black butterfly seen or not able to be seen on the blue/and which is then man flying in it. There are no people but rather that faculty occurring. In terms of plays, my gesture is 'to get to the inside of action, at any time.'
(she herself is the lackey) Lackeys came up crawling to fawn on the few people who liquidated.
"Gregarious" is the social being -- in castigating -- so there's relative occurrence.
(appearing as brown indigo butterfly) qualifying actions
by being spoken
The forced collectivization occurs on red wheat fields. Perhaps 40 million were liquidated in this period. People being shipped in cattle cars or shot. Or freezing as past the line itself using the line. Children straggling off the cattle cars when they are being deported. Looking for water.
Starving children in herds are blue as if they are aliens. On the red wheat fields which don't exist -- then, one wasn't born.
The brown indigo butterfly appears as man
from one not being born -- is conception-making at present as the line of text
as the real event
Only the wealthy supposedly were liquidated, yet those obviously destitute called "sympathisers" of the others were liquidated too.
People say about this But they were wealthy, yet themselves have far more.
one's observation solely and also one's experience solely -- have no relation
The dirty canals floating garbage/shanties on stilts, people bathing -- In the world people are the main exports, sold into brothels by parents; or they migrate as labor on the roads.
It isn't produced by the events per se. But must be its extremity, while not arising from it.
The black butterflies as the worms on the red wheat fields -- irreducible as the black butterfly/which is the man flying being that. On a hot vast terrain of fields per se, there are no people.
I could only repeat that. It's its relation.
The relation isn't produced by suffering merely -- of the real occurrence of their forced labor, the destruction of anyone not starving as having a food supply (seen -- out -- not swollen/distended with malnutrition are beaten), or anyone having enthusiasm -- no emphasis is allowed in their convention.
which is that experience is not to occur.
Yet in extremity, not discounting occurrence and being that itself, the visual is an event itself.
The worm ate the red wheat field -- fields are empty -- on indigo night.
Hatred is. People believing in that which is conventional as occurrence/as relative. So one cannot say it, as the occurrence is relative.
The MacDonalds and Sony companies by the brothels -- on the canals she's been sold at fourteen. There is therefore not an intellect that can see this as differentiated from moon (that's eliminated) and so sentiment -- this is not to be 'seen' but 'giving up' (as a kind of relaxing) to be inverted in one only.
The roots ('existing' yet not there) of plants on stalks upright on stems -- the wildcat, one -- one would fly toward one if barred.
And it wasn't barred.
An ibex with only one horn and a red little tongue sticking out -- (green bands as if tattoos on the face) -- city, 'suffering emergence' seen. -- But where there is no emergence -- she's translucent, kneeling -- because they bind them; hooves facing each other 'only' in motion.
This may be Egypt in her and she isn't there. And cattle.
(fourteen-year-olds brought in are in motion per se.)
(Dancers carry Ibex on uncovered palanquin or litter. She is kneeling on her knees and on her arms which are curved backward, have hooves on them like the ibex's legs. A black satin wedge-vulva is sewn between her legs and is visible on her front.)
To conflate actual time, to make the past be actually the present by making its motions. I don't want to do that. I want the present to occur, yet that isn't anything.
The romantics thought imagination to be expression of one, that was 'discovered' -- even a violation of nature.
The volatile inner rim is itself in occurrence. So has abandoned the 'real' occurrence for it.
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