J A C K E T # S E V E N | C O N T E N T S | H O M E P A G E |
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Do we have to map out the piece before we start? I hate maps and diagrams and schedules. I like to find the piece as I go, making clearings in the undergrowth.
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Dear Anne | |
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Helen Simons, I believe that in 1996 you returned to England for a four month soujourn. So how did you find England? | |
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the hard city lives in diagrams, maps | |
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An Angle -- one of a West Germanic people that migrated from Schleswig to Britain in the 5th century AD and hunted the kingdoms of East Anglia, Mercia and Northumbria. As early as the 6th century their name was extended to all the German inhabitants of Britain. | |
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One thing I do know -- It's not hip to be British in Australia. | |
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Ladies and Gentleman -- thank you for returning to the scene of the crime and the changing face of Britain. Today I'll be talking about New Labour, poetry, and huntin' and fishin'. Have you noticed how difficult it is to find places these days? It's all part of socialism's latest phase. Everyone is in love with themselves but hates each other. That's very efficient but we mustn't let things get out of hand. Babies are being kept in the womb -- a dangerous precedent. Soon people will be digging their own graves and writing without referents. We have to map the subject without losing the soul. But we manage our revolutions quietly and are very good at toilet humour. | |
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Prior to their arrival in Britain in the fourth century the Angles and Saxons were continuously on the move and therefore became more homogeneous. Anglo-Saxon society was complex and hierarchical, made up of noblemen, commoners, freemen and slaves. A man's social position was defined by his wergild or man-tax, the fine payable if he was killed. And women in Anglo-Saxon Britain had more freedom than you might expect. A prospective husband had to pay a morgengifu, meaning a morning-gift. This could be a very substantial amount in money and land, and it was paid not to the father or kin, but to the woman herself. Women were therefore sometimes considerable landowners in their own right. And in the family good relations sometimes superceded paternal or fraternal authority.
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Dear Anne | |
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News,like memory, is always contorted because journalists have to get an angle on a story. They can't tell the story straight. They have to bend it, turn it inside out, look at it sideways, until they find a way to seduce their readers. And yet the angle is always sliding.
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Good evening. Tonight is our first night of headlines only. They are turning the elderly away from hospitals in droves. Once upon a time Harold Wilson plotted to kill Idi Amin and nuclear fires blazed underground. There are more starving people in Britain now than at any other time but it's a case of who cares not who's accountable. The cricket grounds at Headingley have passed away. Multi-national corporations are taking to the tropics and shares are careering up and down the market. So everyone is trying to figure out who and what the other is and why Harold Pinter based everything on the concept of betrayal. But watch out, they are stalking the stalkers and the juveniles are striking out: a father sent to jail for smacking.
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Dear Anne | |
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In Anglo-Saxon England there was much more woodland than there is now. The great forest, the Weald, stretched for hundreds of miles. Communications were difficult, slow and dangerous. Settlements were isolated and largely self -subsistent. | |
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A few days after I came back to Sydney I met an angel: he sat down opposite me in a cafe and ordered cappuccino and chocolate cheesecake. I could tell he was an angel from his florescent halo. I didn't open my mouth but he seemed ready for a bit of a chat and commiseration. He said, although I can travel it's a damn nuisance always having to go back to heaven. It's so British. No sense of exploration, sex on the sly, and dreadfully class ridden. And as for any sense of urgency about anything, well, it's all a case of why do today what you can put off till the next millennium. I'd love to come back here to a bit of rough and tumble. I could sell my wings at the going rate, although, really, they aren't much good for anything except flapping about.
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the space of a poem | |
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Yes, she said, I remember many things, though not at once or at will: my aunt embarrassing me by saying my stockings looked silly. Sharing my sister's room and bed. The journeys up and down to London feeling sick to the blinding smell of coffee. Our table manners differing from the British. And the way my father would never do business with the Germans.
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He had taken her passport away to stop her travelling. She remembered him coming into her room and saying you can't do this if you do this it will kill all of us, the whole family and she said I can do this and I will. I will, I will | |
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They were in the room and the windows were barred. They had been locked up for days and now a terrible silence prevailed. Then someone suggested that if they played the last card maybe they could find a means of escape. That way they would play fate at her own game. Each person had to think of an act in their past, something they had done and never told anybody, something of which they were terribly ashamed. | |
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histories rather than history | |
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Anglo-Saxons lived in much closer contact with violence than most of us do now. Punishments included hanging, beheading, stoning, burning, blinding or castration. But the Anglo-Saxons also enjoyed their leisure time. They played board games and indulged in verse riddles, hunting and sword-dancing. | |
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I've cut my finger: | |
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Fellow Britons, we in Britain have not experienced a serious invasion for a millennium. This can only be regarded as good management, though modesty prevents us from boasting about how we shine. We love monuments, traditions and rituals, anything that means we do not have to think: scholarship too, but only within empirical limits. And black people? Well, we find them acceptable as long as they behave as if they were British. | |
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Dear Anne, | |
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You are in the middle of a room and there is a screen on the two walls adjacent to you. On one screen there is a cage with narrow bars and a man is trying to push you into it. You are fighting with your fists, your whole body clenched as you feel his weight against you. You will not let him put you in the cage. You keep pushing him away but you cannot resist him totally, he is too strong. You are neither in nor out. The movie never progresses beyond this point. | |
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Dear Anne | |
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she spread out the map and wrapped herself in it | |
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Good to be back in Sydney but not down to earth. A huge pile of paper on my desk. The great plague of the nineties is not AIDS it's administration. Cockroaches and the threat of fires. Land rights and the pastoralists, Mark Atkins playing didgeridoo on CD. I've just discovered Eleanor Dark's novels -- but the light is so bright here -- Australia's gift. I love walking by the sea at the end of the day when there aren't too many people around. Strolling in the country too, though I'm not too good at climbing and have to slide down even little slopes on my backside. | |
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Hazel Smith, who lived in England until she moved to Australia at the end of 1988, works in the areas of poetry, experimental writing, performance, multi-media and hypertext. Her volume Abstractly Represented: Poems and Performance Texts 1982-90 was published by Butterfly Books in 1991. Her two CDs of performance works Poet Without Language and Nuraghic Echoes (in collaboration with Roger Dean) were released by Rufus Records, Sydney in 1994 and 1996 respectively. Her hypertext/hypermedia works include "Wordstuffs: the city and the body", with Roger Dean and Greg White, currently available on Australian Film Institute website at http://stuff-art.abc.net.au/stuff98/10.htm, and "Walking The Faultlines", with Roger Dean and Greg White, on Cyberquilt: A CD- Rom Anthology, International Computer Music Association, San Francisco. Her new volume of poems, short prose and performance texts, Keys Round Her Tongue, will be published by Union Square in 1999. Hazel is a Senior Lecturer in the School of English at the University of New South Wales. Her book Hyperscapes in the Poetry of Frank O'Hara: difference, homosexuality, topography is forthcoming with Liverpool University Press. | |
J A C K E T # 7
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