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This character reclines into a sentence:by the fire the safety whirling about
 or weather balloon mounts the lighthouse,
 a pleasant australian guides us to the
 rubber rafts, marking, notation, a familiar
 quotation, sinking into punctuation, a moat
 surrounds us, while you lie sleeping, I describe
 your face, in the drift of sheets & pillows,
 a lighthouse with turbine lamps, in daytime
 the sun lights the glass on fire, the fishing
 fleet, by regarding the darkness, the pupil
 becomes perceptive, a highlighter, a question
 mark, some pleasant grecian slipped this
 into our purse, declined to teach us about
 worldliness, some peace corps volunteers
 trashed the place, somebody's speaking
 on the telephone, somewhere is that phone
 booth, and making out inside, I can't make
 out inside, the interior of this paragraph,
 beside the telephone receiver, some pleasant
 turn of phrase led us to this bed, and while
 we lie here making out, the dog-earing
 happens to this fine book, the silverfish
 crawl along the margins, the pages cut
 and uncut, dent, brittle, sticking to hands.
 
 
 Reading Postures 3
 
 this sort of position uncomfortable allows me to speak
 more comfortably with you, the one I love, this placement
 of arms upon legs and cheeks upon mouths, and tumbled
 together like clothes in a dryer, gives a permission as free
 as a dog in a park, or picking up a hand and letting it
 drop away, and then grabbing it again, tight enough, to
 feel all the extremities & the weather changes, while draped
 over two beings think of several more and not just positions
 but locale, as of this writing, we can think of several more
 museums with exhibitions of bodies in just about every
 sort of posture, and while admiring their spines, one eye
 wanders off, as the french say, to check out the small lake
 shimmering thru the artificial ballrooms & bedrooms &
 rooms of reoff
ception & even the small shopfront hidden away
 here down this hallway, ripped off during some war and brought
 over in pieces, just like the multistory wooden lattice stolen from
 a church, whether it was bought, stolen & tossed on waves
 like matchsticks, like wood, with gilded corners and eggshell
 touches and the artist's name hidden somewhere like a tattoo
 somewhere on your body, some unexplored fold, some intrusion
 of ink & spray, some artist touched you before I touched you,
 some boat brought you over the waters.
 
 
 
 
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