Adam Aitken
Two poems
Force Zero
for Alan Jefferies
1
the waves flatten out to ripples on our breath
suntan lotion pearls the water
both surface and suntan
inflect prisms in the morning light
we blink as it stares us in the face
the heart beats out the days
blended through these fountain pen desires
made foundation for our skins
so troublesome, this skin
so many bodies
the message of the surface
is joy squared, exponential!
all around there are the beautiful,
naked, tattooed, proud
do my looking for me
you say,
and I looked for you
swimming into the West, celebrating
this remission from care
in our “days of azure”
2
on this blemished horizon
shambles of real estate no one owns
I think of cells gone wild
sucking up resources
capitalism’s excess
I think of your
coded poems, your demi-monde
I think of you
mutating in the sun
I think of becoming
a small minor god
a miniature god of mutation
or a god of small things
as Arundati Roy puts it
in her rambling Indian epic of small things
the almost-whisper of a Zero wind
promises good things
the way Christmas morning was
silence worth unwrapping
like Polynesians we sink down
into our earth our oceans
unlike Polynesians
we make metaphors of Polynesians
because the word is beautiful
and Polynesians are beautiful
a pearl diver’s heart skips a beat
the ghost in the machine
a film of bubbles
rises up from the hidden reef
God? the pearl diver asked
I never found Him
what pearl does not wrap itself in a shell?
there is nothing deeper
I thought of Lorca and
your duende
and knew it suited you
like a battered sports coat
that reeks of ganja
in that brasserie in Barcelona
- how Paradise threw out the poets
as dusk shut down like a shop
and we were purified
in Tzara’s
“bath of circular landscapes”
Yes, it was so
but the doubt remains:
if you were dead
would I know you
would I know you perfectly?
In a mood
of revolutionary happiness
despite everything, the virus
wave never breaks
and the body wavering
is alive and remains just so
that zero
wind in my heart.
To my Double
Even my beautiful other half
Reminds me of you
We are growing old
At a simultaneous pace
We both take
exactly half of the first
bottle of wine
after that the wisdom-ratio
is pure astronomy
We watch the same programs
and laugh together
you used to pick the murderer
first
now I do
We cry together too
when once it was only
one half that cried
the other stony faced
Now our teeth
engage perfectly
we kiss much more
and for longer
on retirement
we know exactly
what we want to see
love is a kind of
intense plot awareness
I look at myself
I see you
Adam Aitken
Adam Aitken is a Sydney poet and teaches writing at the University of Technology, in Sydney. His last book was Romeo and Juliet in Subtitles (Brandl & Schlesinger, 2000).
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