Amanda Stewart
Trading Centres
It’s the Guns.
It’s the Drugs.
It’s Abuse.
It’s the Violence.
It’s the Greeks.
It’s the Banks.
It’s the War.
It’s Mel.
It’s the Oil.
It’s Elle.
It’s the Media.
It’s the Whites.
It’s the Men.
It’s Pauline.
It’s the English.
It’s the Christians.
It’s Capitalism.
It’s Human Nature.
It’s Fascism.
It’s Kerry. It’s Rupert.
It’s Science.
It’s the Bomb.
It’s the Second World War.
It’s the CIA.
It’s Hollywood.
It’s Monsanto.
It’s the Stockmart.
it’s Greenhouse.
It’s In the Stars.
It’s Rolf Harris.
Three in One and One in Three
Logos
mourn again the only begotten Son
Anointed Software wording the milk
fluorescent Icons
Morphing bodies Pasteaway sunsets
Fullyhygienicorporateslaughter
Satan’sadamsodomcondom
MAI SDI HIV CJD
98% water 98% chimp
He always
she never
a carnivorous Insect an Alien gives birth
an it of an Object
a rib off a Primate
a Devil of savoir-faire
girt by Seeing
silenced like a god
(shut up the Dingo’s dead)
(I’m not sorry)
coked accountants cufflinks and flares
a Rationalist climax
a Bootstraps disaster
(sorry?) cleansing the left
over bits from the Hard Drive
gold spilling through the gaps
the elation the exhilaration of the Pact
a series of numbers
the dissolution of pain as primary commodity
the Purity of forgetting
Amanda Stewart, 2005, photo by Pam Brown
Amanda Stewart (born: 26 November 1959, citizenship: Australian) is a poet who lives in Sydney. Since the late 1970s she has produced publications, performances, film and radio works in Australia, Europe and the US. Recent work available includes I/T:Selected Poems (Here and There Books, Sydney, 1998), The Sinking of the Rainbow Warrior (Vast CD 28, Sydney, 2000/WDR, Köln, 2003), As Is (Bayerischer Rundfunk, Munich, 2001), IT .' . I (SWR, Baden Baden, 2002) and CDs with the Australian text-sound ensemble, ‘Machine For Making Sense’ (Split Records, Sydney/00 Discs, NYC).
it is made available here without charge for personal use only, and it may not be
stored, displayed, published, reproduced, or used for any other purpose
This material is copyright © Amanda Stewart and Jacket magazine 2005
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