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when its stitched into a pillowcase, you know they mean
ive no other & let no colt get away,
i was asked to join the stones — but the stones played
& their mothers cried hula hula akubra viva vie.
all the other hound dogs couldnt foam a toothbrush hotline im
anything else you say i am,
we cant go on without the shade of mountain ash
only fools rush-in i cant help my skills.
& my style, the wind calls me its cousin that makes
mama the real dark horse has outrun all the white;
but since my barber left me i never bare my head
conversation & need it covered when its action stations.
slim shadys a friend of mine he wears a cactus suit,
information says that he doesnt exist;
let him have his own dimension mines the heartbreak-hills
im returning –
from droving in the mud the clubs & pubs.
my ponys with me, hes got the moves &s got the shoes;
i put my records on they stop,
they stop shuffling theyre in shock — soon theyre dancing
like theyre –
teddy bears in another zone beyond the snowys.
whats my name whats my mothers name — the sideys should give you
a clue –
“the king” is a rewrite of the opening of Banjo Paterson’s “The Man from Snowy River”, using the original form as a template, adding multiple Elvis and Eminem allusions. This poem was first published in cutwater.
Michael Farrell recently edited, with Jill Jones, an anthology of Australian homosexual and lesbian poetry titled Out Of The Box (Puncher and Wattmann, 2009). His most recent collection of poems is a raiders guide (Giramondo, 2008).