Jacket 34 — Late 2007 — Contents page

Editor: John Tranter — Associate Editor: Pam Brown
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Contemporary Turkish
Poetry

Eda, cover

A selection of poems and essays drawn from Eda: An Anthology of Contemporary Turkish Poetry edited by Murat Nemet-Nejat, published by Talisman House, New Jersey, and available through Small Press Distribution.
“Thinking, speaking in Turkish is a peculiarly visceral activity, a record of thought emerging… Eda is the play of ideas through the body of Turkish. Not only is it the poetics of Turkish poetry in 20th century, it is the extension of the language itself, the flowering of its inherent potentials as a language. The otherness of Eda is the distance which separates Turkish from English.”
Read the sample of poems here.
                       Read the essays here.
                                     Buy the book here!

Features

link Post-Marginal Positions: Women and the UK Experimental/ Avant-Garde Poetry Community, moderated by Catherine Wagner

link ‘Between revelation and persuasion’: Eric Mottram and Robert Duncan: A Compilation by Amy Evans and Shamoon Zamir

link Lucas Klein: «Stèles» / 古今碑錄, Volumes 1 and 2, by Victor Segalen

book cover

About Now, by Joanne Kyger, Introduction by Linda Russo

For decades, Joanne Kyger has played a crucial role in California’s poetry scene. Her poetry has been influenced by her studies in Zen Buddhism and her connection to the poets of Black Mountain, the San Francisco Renaissance, and the Beat Generation. In this issue of Jacket:
link Linda Russo’s Introduction to the book,
link Jane Falk provides a reader’s response, and
link Dale Smith looks at Kyger’s developing poetics through her long career, and
link Robert Adamson presents two poems written for Joanne Kyger.
Note: link Jacket 11 contains a multi-voiced feature on Joanne Kyger edited by Linda Russo.

2 nibs

Interviews

link From the Hither Side: Innovative Women Poets — Cynthia Hogue and Elisabeth Frost in conversation with Jane Joritz-Nakagawa

Jackson Mac Low, New York City, 1997, photo John Tranter

Jackson Mac Low, 1997, photo John Tranter

link Jackson Mac Low in conversation: Making Poetry “Otherwise”, 28 January 2001

link Thirteen Ways of Looking At A Vermont Poet: Bob Arnold in conversation with Gerald Hausman

link Shanxing Wang in conversation with Nathan Brown

Articles

link What’s Really Going on in Persicos Odi? Art Beck on Horace.

link Jeff Derksen: “These Things Form Poems When I Allow It”: after John Newlove

link Laurie Duggan: On Gael Turnbull’s «Collected Poems», with a digression on his aleatory, kinetic and other off-the-page practices

link John Felstiner: “It looks just like the Cascades” — Gary Snyder’s Eye for the Real World

link Thomas Fink: The Poetry of Questions

link Noah Eli Gordon: Considering Chapbooks: A Brief History of the Little Book

link Noah Eli Gordon: Considering Chapbooks: Belladonna* books

link Philip Metres «d.a.levy & the mimeograph revolution», edited by Larry Smith and Ingrid Swanberg

Ezra Pound, 26 May 1945

Ezra Pound, 26 May 1945

link Jonathan Morse: The Startle Reflex: Some Episodes from the Lives of Ezra Pound’s Language

link Jennifer Moxley: Rimbaud’s Foolish Virgin, Wieners’s “Feminine Soliloquy,” and the Metaphorical Resistance of the Lyric Body

link Sandeep Parmar: Mina Loy’s ‘Colossus’ and the Myth of Arthur Cravan

link Brian M. Reed: ‘Lost Already Walking’: Caroline Bergvall’s ‘Via’

link Anthony Stephens: Reflecting tragedy: Nietzsche, Lacan, Narcissus

link John Temple: Haven of the Heart: The Poetry of John Wieners (over 80 pages).

link John Emil Vincent: Escaping the future: John Ashbery’s «Girls on the run»

Poems

link Robert Adamson: Two poems (for Joanne Kyger)

link Louis Armand: Six Parts for a Requiem

link Jen Crawford: sixteen

link Laurie Duggan: Two poems from ‘The skies over Thanet’

link Joel Deane: Tuk-tuk

link Jesse Glass: Two poems

link Scott Glassman and Sheila E. Murphy: from «Quaternity»

link Philip Hammial: Two poems

link Ella Holcombe : The magazine

link Vincent Katz: Three poems

link Poems by Ko Un, translated from Korean by Brother Anthony of Taizé, Young-moo Kim, and Gary Gach

link Katy Lederer: In the Hole

link Philip Metres: The Old Haunts: A Guided Tour

link Carol Mirakove: Five poems

link Aryanil Mukherjee: Two Poems

link John Newlove: Three poems

link Benjamin Paloff: Four poems

link Tomaž Šalamun: Two poems, trans. Brian Henry

link Peter Dale Scott: Five poems

link Spencer Selby: Text From My Visual Book

link Elizabeth Smither: Practising scales

link Grzegorz Wróblewski: Two poems: Migraine; Jesse Owens and Luz Long

Mid-Century French Poets

Photo: John Tranter

flags

Canadian Poetry: Language Acts: Anglo-Québec Poetry, 1976 to the 21st Century
Editors: Jason Camlot & Todd Swift

link Jason Camlot and Todd Swift: Introduction to «Language Acts: Anglo-Québec Poetry, 1976 to the 21st Century» Jacket Feature

link Robert Allen: Seven poems

link Oana Avasilichioaei: from «Gossip in the Valley»

link Stephanie Bolster: Six poems

link Asa Boxer: Four poems

link Jason Camlot: The Debaucher

link Angela Carr: Six Poems from the Rose Concordance

link Leonard Cohen: Three poems

link Mary di Michele: Four poems

link Endre Farkas: Four poems

link Raymond Filip: Three poems

link Jon Paul Fiorentino: Five poems

link artie gold: Five Jockey Poems

link Michael Harris: Five poems

link D.G. Jones: Six poems

link Steve Luxton: Four poems

link David McGimpsey: Four poems

link Donald McGrath: Five poems

link Stephen Morrissey: Three poems

link Erín Moure: Map of Calgary

link Robyn Sarah: Six poems

link David Solway: Five poems

link Carmine Starnino: Five poems

link Andrew Steinmetz: Five poems

link Nathalie Stephens: Four poems

link Todd Swift: Four poems

link Ruth Taylor: Five poems

link Peter Van Toorn: Six poems

Reviews

Language Poetry by the Bay: James Sherry: «The Grand Piano» Project:
…an ongoing experiment in collective autobiography by ten writers identified with Language poetry in San Francisco. It takes its name from a coffeehouse at 1607 Haight Street, where from 1976–79 the authors took part in a reading and performance series. The writing project, begun in 1998, was undertaken as an online collaboration, first via an interactive web site and later through a listserv.
link «The Grand Piano» Part 3 reviewed

Earlier reviews of the project:
link «The Grand Piano» Part 1 — in Jacket 32
link «The Grand Piano» Part 2 — in Jacket 32

link Li Yun Alvarado: «How Long She’ll Last in This World», by María Meléndez

link Cristiana Baik: «DICTEE» by Theresa Hak Kyung Cha

link Douglas Barbour: «The Goldfinches of Baghdad» by Robert Adamson

link Christopher Barnes: «Lemon Shark» by Luke Beesley

link Ben Lyle Bedard: «REAL» by Stephen Ratcliffe

link Joel Bettridge: «Mirrors for Gold», by Roberto Tejada

link Lisa Bower: «Erosion’s Pull», by Maureen Owen

link Lisa Bower: «Letter from the Lawn» by Bobbi Lurie

link Joseph Bradshaw: «Inbox: (A Reverse Memoir)», Noah Eli Gordon

link Norene Cashen: «Cleavage» by Chris Tysh

link Matthew Cooperman: «A Fiddle Pulled from the Throat of a Sparrow», by Noah Eli Gordon

link Two views of Cuban poet José Kozer: Eugenia Demuro introduces Stet. by José Kozer. Trans. Mark Weiss, and…

link Christopher Winks analyses the poetry against a background of Adorno’s thinking: «Stet: Selected Poems», by José Kozer, translated by Mark Weiss

link Mark Dickinson: «The Moon Sees the One» by Candice Ward

link Alexander Dickow: «I’m The Man Who Loves You», by Amy King

link Sarah Dowling: «The Material of Poetry: Sketches for a Philosophical Poetics», by Gerald Bruns.

link Michael Duszat: «An Elemental Thing», by Eliot Weinberger

link Curtis Faville: Aram Saroyan: «Complete Minimalist Poems», and Robert Grenier: «100 Sentences / 100 Phrases». Translated from English into French by Martin Richet with the Author.

link Forrest Gander: «A Worldly Country» by John Ashbery

link Alan Gilbert: «How to Read a Poem» by Terry Eagleton

link Daniel Godston: «Blue Lash» by James Armstrong

link Daniel Godston: «Fulcrum: an annual of poetry and aesthetics» Number 5, 2006 (edited by Philip Nikolayev and Katia Kapovich)

link Piotr Gwiazda: Professing Poetry: a review of «Poetry and Pedagogy: The challenge of the contemporary», edited by Joan Retallack and Juliana Spahr

link Tom Hibbard: «Infinity Subsections» by Mark DuCharme

link Julia Istomina: «Rise Up», by Matthew Rohrer

link Tim Keane: «The Poems of Catullus: A Bilingual Edition», translated with commentary by Peter Green

link Astrid Lorange: «The Material Poem» edited by James Stuart

link Nicole Mauro: «Cornstarch Figurine» by Elizabeth Treadwell

link Carol Middleton: «About Writing, Seven Essays, Four Letters and Five Interviews», by Samuel R Delany

link Micaela Morrissette: «The Open Curtain», by Brian Evenson

book cover

link Micaela Morrissette: «Bornholm Night-Ferry», by Aidan Higgins

link Micaela Morrissette: «The Exquisite», by Laird Hunt

link Micaela Morrissette: «North & South», by Martha King

link Richard Owens: «Black Diamond Golden Boy Takes Bull By Horns» by Geoffrey Gatza

link Craig Santos Perez: «Puerta Del Sol» by Francisco Aragón

link Peter Robinson: «The Collected Poems of Ted Berrigan» edited by Alice Notley with Anselm Berrigan and Edmund Berrigan, Introduction and Notes by Alice Notley

link Larissa Shmailo: «Letters from Aldenderry», by Philip Nikolayev

link James Stuart: «Mediated», by Carol Mirakove, and «The Arts of Islam: Treasures from the Nasser D Khalili Collection»


Arthur Schlesinger Jr, 1960s

Arthur Schlesinger Jr, 1960s

The Preservative Qualities of the Martini Diet

When Schlesinger turned 60, he became more aware of his age. After a trip to the cathedral in Florence, he wrote: “As I went into the Duomo, it occurred to me that I have been visiting churches in Europe for 45 years, and that they have really done very little for me — my fault, not theirs, of course; but there it is. Why should I waste my declining years going into churches?… I will simplify life by abandoning the inspection of churches, as in earlier years I have abandoned ballet, metaphysics, linguistics and other subjects that, however estimable, are, alas, not for me.” A decade later, lunching with two younger men in 1987, Schlesinger observed, “I could not help noting the generational differences in diet. I had a martini and grilled double lamb chops. They had Perrier and chef’s salad. I suppose that their diet is better for them. But mine is more fun. I understand the disappearance of cigarettes these days; they are poison. But why has hard liquor, the staff of life, yielded to white wine and, heaven help us, Perrier?” In early 2007, Schlesinger died as he had lived: at work on a book... and out on the town (he was at a Manhattan restaurant on the night he was fatally stricken). [from the Washington Post, Sunday, October 7, 2007; Page BW03]

[Note: Arthur Schlesinger Jr. lived to the age of 89. I should be so lucky.  — J.T.]

Aesthetics in an Information System

How to play the Air Guitar, c.1728. Photo John Tranter.

How to play the Air Guitar,
circa 1728. Photo John Tranter.

Something to think about:

Information Technology and Aesthetics: Passive and Active Dimensions
John D Haynes, David Bryan Paradice

Abstract: This paper is concerned with examining and recognizing aesthetics in an Information System (an organization incorporating both humans and information technology). Aesthetics emerge from the wholeness of things, not from specific parts or components. As such, aesthetics may naturally be considered in ‘systems’, and we propose that an effective manner of thinking of aesthetics is to think in terms of ‘themes’. Humans have an extraordinary capacity to capture events thematically. In other words, human beings have a natural sense of aesthetics. To examine aesthetics in an information systems context, we argue that one must consider not only aesthetics that may be perceived by the senses (a passive dimension), but also aesthetics that may be conceived in the mind (an active dimension). This paper draws the conclusion that the benefits of aesthetics in relation to the study of Information Systems, has characteristics similar to the nature and importance of ethics in IS. Also, the study of aesthetics in IS has greater implications than simply recognizing and appreciating beauty and art. The very human capacity for recognizing and appreciating beauty and art is also the same capacity for effective creativity and happiness: the active aesthetic dimension. It follows that if an information system encouraged and provided the enabling circumstances for the human capacity of thematic recognition (as found in the human appreciation of art and beauty) it thereby also provides the ground and the necessary thematically recognizable stimulus for effective creative and visionary organizational management.  — Australasian Journal of Information Systems, Vol 14, No 2 (2007). Full PDF is available at http://dl.acs.org.au/index.php/ajis/article/view/30

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