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Jacket 34 — Late 2007 — Contents page

Contemporary Turkish
Poetry

Eda, cover

A selection of poems and essays drawn from Eda: An Anthology of Contemporary Turkish Poetry edited by Murat Nemet-Nejat, published by Talisman House, New Jersey, and available through Small Press Distribution.
Read the poems here.
       Read the essays here.
                Buy the book here!

Features

link Post-Marginal Positions: Women and the UK Experimental/ Avant-Garde Poetry Community, moderated by Catherine Wagner

link ‘Between revelation and persuasion’: Eric Mottram and Robert Duncan: A Compilation by Amy Evans and Shamoon Zamir

link Lucas Klein: «Stèles» / 古今碑錄, Volumes 1 and 2, by Victor Segalen

book cover

About Now, by Joanne Kyger, Introduction by Linda Russo

For decades, Joanne Kyger has played a crucial role in California’s poetry scene. Her poetry has been influenced by her studies in Zen Buddhism and her connection to the poets of Black Mountain, the San Francisco Renaissance, and the Beat Generation. In this issue of Jacket:
link Linda Russo’s Introduction to the book,
link Jane Falk provides a reader’s response, and
link Dale Smith looks at Kyger’s developing poetics through her long career, and
link Robert Adamson presents two poems written for Joanne Kyger.
Note: link Jacket 11 contains a multi-voiced feature on Joanne Kyger edited by Linda Russo.

2 nibs

Interviews

link From the Hither Side: Innovative Women Poets — Cynthia Hogue and Elisabeth Frost in conversation with Jane Joritz-Nakagawa

Jackson Mac Low, New York City, 1997, photo John Tranter

Jackson Mac Low, 1997, photo John Tranter

link Jackson Mac Low in conversation: Making Poetry “Otherwise”, 28 January 2001

link Thirteen Ways of Looking At A Vermont Poet: Bob Arnold in conversation with Gerald Hausman

link Shanxing Wang in conversation with Nathan Brown

Articles

link What’s Really Going on in Persicos Odi? Art Beck on Horace.

link Jeff Derksen: “These Things Form Poems When I Allow It”: after John Newlove

link Laurie Duggan: On Gael Turnbull’s «Collected Poems», with a digression on his aleatory, kinetic and other off-the-page practices

link John Felstiner: “It looks just like the Cascades” — Gary Snyder’s Eye for the Real World

link Thomas Fink: The Poetry of Questions

link Noah Eli Gordon: Considering Chapbooks: A Brief History of the Little Book

link Noah Eli Gordon: Considering Chapbooks: Belladonna* books

link Philip Metres «d.a.levy & the mimeograph revolution», edited by Larry Smith and Ingrid Swanberg

Ezra Pound, 26 May 1945

Ezra Pound, 26 May 1945

link Jonathan Morse: The Startle Reflex: Some Episodes from the Lives of Ezra Pound’s Language

link Jennifer Moxley: Rimbaud’s Foolish Virgin, Wieners’s “Feminine Soliloquy,” and the Metaphorical Resistance of the Lyric Body

link Sandeep Parmar: Mina Loy’s ‘Colossus’ and the Myth of Arthur Cravan

link Brian M. Reed: ‘Lost Already Walking’: Caroline Bergvall’s ‘Via’

link Anthony Stephens: Reflecting tragedy: Nietzsche, Lacan, Narcissus

link John Temple: Haven of the Heart: The Poetry of John Wieners

link John Emil Vincent: Escaping the future: John Ashbery’s «Girls on the run»

Poems

link Robert Adamson: Two poems (for Joanne Kyger)

link Louis Armand: Six Parts for a Requiem

link Jen Crawford: sixteen

link Laurie Duggan: Two poems from ‘The skies over Thanet’

link Joel Deane: Tuk-tuk

link Jesse Glass: Two poems

link Scott Glassman and Sheila E. Murphy: from «Section 2»

link Philip Hammial: Two poems

link Ella Holcombe : The magazine

link Vincent Katz: Three poems

link Poems by Ko Un, translated from Korean by Brother Anthony of Taizé, Young-moo Kim, and Gary Gach

link Katy Lederer: In the Hole

link Philip Metres: The Old Haunts: A Guided Tour

link Carol Mirakove: Five poems

link Aryanil Mukherjee: Two Poems

link John Newlove: Three poems

link Benjamin Paloff: Four poems

link Tomaž Šalamun: Two poems, trans. Brian Henry

link Peter Dale Scott: Five poems

link Spencer Selby: Text From My Visual Book

link Elizabeth Smither: Practising scales

link Grzegorz Wróblewski: Two poems: Migraine; Jesse Owens and Luz Long

Mid-Century French Poets

Photo: John Tranter

flags

Canadian Poetry: Language Acts: Anglo-Québec Poetry, 1976 to the 21st Century
Editors: Jason Camlot & Todd Swift

link Jason Camlot and Todd Swift: Introduction to «Language Acts: Anglo-Québec Poetry, 1976 to the 21st Century» Jacket Feature

link Robert Allen: Seven poems

link Oana Avasilichioaei: from «Gossip in the Valley»

link Stephanie Bolster: Six poems

link Asa Boxer: Four poems

link Jason Camlot: The Debaucher

link Angela Carr: Six Poems from the Rose Concordance

link Leonard Cohen: Three poems

link Mary di Michele: Four poems

link Endre Farkas: Four poems

link Raymond Filip: Three poems

link Jon Paul Fiorentino: Five poems

link artie gold: Five Jockey Poems

link Michael Harris: Five poems

link D.G. Jones: Six poems

link Steve Luxton: Four poems

link David McGimpsey: Four poems

link Donald McGrath: Five poems

link Stephen Morrissey: Three poems

link Erín Moure: Map of Calgary

link Robyn Sarah: Six poems

link David Solway: Five poems

link Carmine Starnino: Five poems

link Andrew Steinmetz: Five poems

link Nathalie Stephens: Four poems

link Todd Swift: Four poems

link Ruth Taylor: Five poems

link Peter Van Toorn: Six poems

Reviews

Language Poetry by the Bay: James Sherry: «The Grand Piano» Project:
…an ongoing experiment in collective autobiography by ten writers identified with Language poetry in San Francisco. It takes its name from a coffeehouse at 1607 Haight Street, where from 1976–79 the authors took part in a reading and performance series. The writing project, begun in 1998, was undertaken as an online collaboration, first via an interactive web site and later through a listserv.
link «The Grand Piano» Part 3 reviewed

Earlier reviews of the project:
link «The Grand Piano» Part 1 — in Jacket 32
link «The Grand Piano» Part 2 — in Jacket 32

link Li Yun Alvarado: «How Long She’ll Last in This World», by María Meléndez

link Cristiana Baik: «DICTEE» by Theresa Hak Kyung Cha

link Douglas Barbour: «The Goldfinches of Baghdad» by Robert Adamson

link Christopher Barnes: «Lemon Shark» by Luke Beesley

link Ben Lyle Bedard: «REAL» by Stephen Ratcliffe

link Joel Bettridge: «Mirrors for Gold», by Roberto Tejada

link Lisa Bower: «Erosion’s Pull», by Maureen Owen

link Lisa Bower: «Letter from the Lawn» by Bobbi Lurie

link Joseph Bradshaw: «Inbox: (A Reverse Memoir)», Noah Eli Gordon

link Norene Cashen: «Cleavage» by Chris Tysh

link Matthew Cooperman: «A Fiddle Pulled from the Throat of a Sparrow», by Noah Eli Gordon

link Eugenia Demuro: Stet. by José Kozer. Trans. Mark Weiss.

link Mark Dickinson: «The Moon Sees the One» by Candice Ward

link Alexander Dickow: «I’m The Man Who Loves You», by Amy King

link Sarah Dowling: «The Material of Poetry: Sketches for a Philosophical Poetics», by Gerald Bruns.

link Michael Duszat: «An Elemental Thing», by Eliot Weinberger

link Curtis Faville: Aram Saroyan: «Complete Minimalist Poems», and Robert Grenier: «100 Sentences / 100 Phrases». Translated from English into French by Martin Richet with the Author.

link Forrest Gander: «A Worldly Country» by John Ashbery

link Alan Gilbert: «How to Read a Poem» by Terry Eagleton

link Daniel Godston: «Blue Lash» by James Armstrong

link Daniel Godston: «Fulcrum: an annual of poetry and aesthetics» Number 5, 2006 (edited by Philip Nikolayev and Katia Kapovich)

link Piotr Gwiazda: Professing Poetry: a review of «Poetry and Pedagogy: The challenge of the contemporary», edited by Joan Retallack and Juliana Spahr

link Tom Hibbard: «Infinity Subsections» by Mark DuCharme

link Julia Istomina: «Rise Up», by Matthew Rohrer

link Tim Keane: «The Poems of Catullus: A Bilingual Edition», translated with commentary by Peter Green

link Astrid Lorange: «The Material Poem» edited by James Stuart

link Nicole Mauro: «Cornstarch Figurine» by Elizabeth Treadwell

link Carol Middleton: «About Writing, Seven Essays, Four Letters and Five Interviews», by Samuel R Delany

link Micaela Morrissette: «The Open Curtain», by Brian Evenson

book cover

link Micaela Morrissette: «Bornholm Night-Ferry», by Aidan Higgins

link Micaela Morrissette: «The Exquisite», by Laird Hunt

link Micaela Morrissette: «North & South», by Martha King

link Richard Owens: «Black Diamond Golden Boy Takes Bull By Horns» by Geoffrey Gatza

link Craig Santos Perez: «Puerta Del Sol» by Francisco Aragón

link Peter Robinson: «The Collected Poems of Ted Berrigan» edited by Alice Notley with Anselm Berrigan and Edmund Berrigan, Introduction and Notes by Alice Notley

link Larissa Shmailo: «Letters from Aldenderry», by Philip Nikolayev

link James Stuart: «Mediated», by Carol Mirakove, and «The Arts of Islam: Treasures from the Nasser D Khalili Collection»

Jacket 33 — July 2007 — Contents page

Feature

link Gordon Ball: Unknown Collaborators: photos from the world of Allen Ginsberg and his many friends among the Beats, from 1969 to Ginsberg’s death in 1997

Herbert Huncke, Allen Ginsberg, near window of Ginsberg's E. 12th Street apartment, New Year's 1976.

Herbert Huncke, Allen Ginsberg, near window of Ginsberg’s E. 12th Street apartment, New Year’s 1976. Photo copyright © Gordon Ball.

Feature

link Pieces on «Pieces of Air in the Epic», by Brenda Hillman: Barbara Claire Freeman, Editor.

Brenda Hillman, photo by Star Black

Brenda Hillman
photo by Star Black

The generic convention of the book review is monologic; however nuanced and subtle, the constraints of the form typically allow the inclusion of only one perspective. This collection of short texts on the poems in Brenda Hillman’s Pieces of Air in the Epic intends first, to present a kind of collective ‘book review,’ that is, a form of writing about poems that demands a plurality of individual voices; and second, to provide a forum in which poets respond to and explore a particular poem.” — B.C.F.

link Introduction, by Barbara Claire Freeman
link Marjorie Welish
link Graham Foust
link Evie Shockley
link C.D. Wright
link Forrest Gander
link Carol Snow
link Robert Hass
link Michael Davidson
link Claudia Keelan
link Robert Kaufman
link Norma Cole
link Marjorie Perloff
link Geoffrey G. O’Brien
link Juliana Spahr
link Calvin Bedient
link Reginald Shepherd
link Cole Swensen
link Elizabeth Robinson
link Nathaniel Tarn
link Bin Ramke
link Donald Revell
link Patricia Dienstfrey
link Michael Palmer
Brenda Hillman was born in Tucson, Arizona in 1951. After receiving her B.A. at Pomona College, she attended the University of Iowa, where she received her M.F.A. in 1976.She has published seven collections of poetry: White Dress (1985), Fortress (1989), Death Tractates (1992), Bright Existence (1993), Loose Sugar (1997) and Cascadia (2001), Pieces of Air in the Epic (2005); all published by Wesleyan University Press. She resides in the San Francisco Bay Area; she is married and has a daughter.

Reviews

link Adam Aitken: «The Accidental Cage» by Michelle Cahill

link Stan Apps: «Folly», by Nada Gordon.

link Stan Apps: «My Angie Dickinson», by Michael Magee

link Cynthia Arrieu-King: «The Man Suit» by Zachary Schomburg

link Bridget Brooklyn: «Passion», by Brane Mozetič, translated by Tamara Soban

link Andrew J. Browne: «Don’t Ever Get Famous: Essays on New York Writing after the New York School», edited by Daniel Kane.

link Stephen Cope: «City Eclogue» by Ed Roberson

link Penelope Cray: «The Wanton Sublime:A Florilegium of Whethers and Wonders» by Anna Rabinowitz

link Mark Dickinson: «Leaves of Field»: with «Open Woods» and «Moving Woods».by Peter Larkin

link Patrick James Dunagan: «Remembering Joel Oppenheimer» by Robert Bertholf

link Martin Duwell: «Sugar Hits» by Philip Hammial

link Michael Farrell: «Phosphorescence» by Graeme Miles

link Cliff Fell: Eliot Weinberger, «What happened here» (second edition) and «Muhammad», both published by Verso, 2006.

link Norbert Francis: Tosa Motokiyu (edited by Kent Johnson and Javier Alvarez). «Also, With My Throat, I Shall Swallow Ten Thousand Swords: Araki Yasusada’s Letters in English»

link Noah Eli Gordon and Erik Anderson: Conversational Noise: Some Talk on «Some Notes on My Programming», by Anselm Berrigan

link Anne Heide: «hidde violeth i dde violet», by Kathleen Fraser

link Cole Heinowitz: «Exchanges of Earth and Sky», by Jack Collom

link Tom Hibbard: «Somebody Blew Up America and Other Poems», Amiri Baraka

link Ben Hickman: «Remnants of Hannah» by Dara Wier

link Carlos Hiraldo: «Unprotected Texts: Selected Poems, 1978-2006» by Thomas Beckett

link Craig Johnson: «Poem for the End of Time and Other Poems» by Noelle Kocot

link Paul Kahn: «I Was Blown Back», by Norman Fischer

link Carl Kelleher: «Shake» by Joshua Beckman

link Jake Kennedy: «The Men» by Lisa Robertson

link Marc Kipniss: «The Bird Hoverer», by Aaron Belz

link Louise Landes Levi: «Sunswumthru a Building», by Bob Arnold

link Michelle Mahoney: «The Pajamaist», by Matthew Zapruder

link Jill M. Neziri: «Forth a Raven», by Christina Davis

link Michael Quattrone: «Overnight», by Paul Violi

link Dr Mark Seton: «The Kamikaze Mind», by Richard James Allen

link Rob Stanton: «A panic that can still come upon me» by Peter Gizzi

link Paul Stephens: «The External Combustion Engine» by Michael Ives

link James Stuart: «From Now» by Johanna Drucker

link Ezra Tessler: «The Stamp of Class: Reflections on Poetry and Social Class» by Gary Lenhart

link Dan Thomas-Glass: «Girly Man» and «World on Fire», both by Charles Bernstein

link Marjorie Welish: «The Totality for Kids», by Joshua Clover

2 nibs

Interviews


link Kathleen Fraser in conversation with Sarah Rosenthal, 2007:

Kathleen Fraser, 1964

Kathleen Fraser, 1964

“SR: Silence has been a central trope in your writing since early on. It carries a range of meanings, from erasure to grief and loss to the spaciousness of an open field. Perhaps we could trace some of the ways in which silence has come up in your work over time.”

George Bowering, 1970




link George Bowering in conversation with Rachel Loden: Like a Radio in the Dark: An Email Interview, 2007


[Photo: George Bowering, 1970]

 

link Alison Knowles in conversation with Elizabeth-Jane Burnett, September 2006. Alison Knowles is a visual artist known for her soundworks, installations, performances, publications and association with Fluxus, the experimental avant-garde group formally founded in 1962.

link Eleni Sikelianos, author of The California Poem, in conversation with Jesse Morse

link Catherine Wagner in conversation with Nathan Smith, 13 April 2007

Articles

book cover

link James Wallenstein: Ninnies and the Critics: «A Nest of Ninnies» by John Ashbery and James Schuyler

link Geoffrey Cruickshank- Hagenbuckle with Alexander Nouvel: ZAP! (Zukofsky, Apollinaire, and the X Men)

link Vernon Frazer and Kirpal Gordon:
Who We Are Now:
A Retrospective of Michael Rothenberg
(60 pages)

link Aram Saroyan: Contretemps: A Minimalist Parable

Feature: Humor in Poetry

link The Dangerfield Conundrum: A Roundtable on Humor in Poetry — 80 pages of discussion edited from 200 pages of postings to the HumPo List by Rachel Loden and K. Silem Mohammad, and featuring the voices of:

George Bowering
Maxine Chernoff
Katie Degentesh
Gabriel Gudding
Rachel Loden
Ange Mlinko
K. Silem Mohammad
D. A. Powell
Ron Silliman
Gary Sullivan

link The Dangerfield Files, edited by Rachel Loden: poems from the HumPo List:

link Rachel Loden: Introduction
link George Bowering
link Maxine Chernoff
link Gabriel Gudding
link Rachel Loden
link Ange Mlinko
link K. Silem Mohammad
link D. A. Powell
link Ron Silliman
link Gary Sullivan

Feature

link Mark Weiss: José Martí: “José Julián Martí y Pérez (1853–1895) may not be unique as a political poet-martyr (one thinks of Byron and Lorca), but he must have been one of the most politically involved. The very model of the committed artist, he was 42 when he died in one of the first engagements of the second Cuban War of Independence, of which he had been chief propagandist and one of the principal planners. He had spent his entire adult life in exile, chiefly in Mexico City and New York.”

Poems

link Mary Jo Bang: Three poems

link Ken Bolton: Three poems: An Australian Suburban Garden; EUROPE; For various movie directors

link Michelle Cahill: Three poems: The Accidental Cage; Manhattan; Poppies

link Justin Clemens: «The Mundiad», Book IV

link Kelvin Corcoran: Three poems from ‘Ulysses in the Car’

link Alfred Corn: Two poems: Page and Cave; Trunk Show

link Wystan Curnow: poem: Max

link Norman Fischer: Formal Terms

link Robert Gibbons: Two poems: That Internal World; At the End of Writing

link Anna Gibbs: Culpable Blindness

link John Hennessy: Coney Island Pilgrims

link Katia Kapovich: Two poems: To Whom It May Concern; The Seventh String

link Burt Kimmelman: Two poems: House, Normandy; Crumbs upon the Table

link Rachel Loden: Three poems: Props to the Twentieth Century; Dick of the Dead; The Pure of Heart, Those Murderers

link Rupert Loydell: Two poems: The Secret Life of Mist; The Secret Life of Light

link Norman MacAfee: I Am Astro Place

link Mark Mordue: Things That Year

link John Muckle: Three Poems: Elizabeth Bishop; Nothing Wrong; Cyclomotors

link Marc Nasdor: Five poems

link Simon Robb: Excerpt from «Jane Fonda’s Temple of Literature»

link Sam Sampson: Three poems: The Ship Beautiful; Reel; Diagram

link Don Share: On being philosophical

link Jaya Savige: Two poems

link Mark Schafer translates five poems by David Huerta

link Jeffrey Side: Extracts from «Carrier of the Seed»

link Stephen Sturgeon: Two poems: Friday; Fired

link Paul Violi: Finish These Sentences


 
Jacket 32 — April 2007 Contents page
The Poetry of Response

Edited by Christopher Kelen

link Christopher Kelen: Introduction

link Peter Riley: Quotation: ‘It Don’t Mean a Thing’

link Tony Barnstone: The Cannibal at Work: Five Discourses on Translation, Transformation, Imitation, and Transmutation

link Gary Blankenship: After Wang Wei

link Forrest Gander: The Strange Case of Thomas Traherne

link Kent Johnson: Imitation, Traduction, Fiction, Response

link Oana Avasilichioaei and Erín Moure: C’s Garden

link chus pato, andrés ajens et al.: correspondencias (lalín, galicia – santiago, chile; iowa city/buenos aires, la paz, ciudad juárez/los angeles

link Christopher Kelen: conversation with Tang Poets: some notes on the practice

link [ More to come ]

red lnkbar The Holiday Album: Greeting Card poems for All Occasions
Edited by Elaine Equi

link Elaine Equi: Best Wishes (Introduction)

link Elaine Equi: Happy New Year

link David Lehman: Time Frame

link Wayne Koestenbaum: Short Subjects

Holiday Card image

Cover image — detail:
Dirk Rowntree

link Rae Armantrout: Address

link Nick Piombino: Valentine’s Day
 — Valentine’s Day — Feb. 14th

link David Shapiro: Colorful Hands
 — Holi: The Festival of Colors (Indian) — first weekend in March

link Tom Clark: Equinox
 — March 21/22

link Vincent Katz: Back From The Dead
 — The Veneralia (Roman) — April 1st

link Jeanne Marie Beaumont: Fête of the Little Boats
 — (French) — April 6th

link Martine Bellen: On John Ashbery Day — A Cento
 — April 7th

link Cathy McArthur: At the Wildlife Center
 — Bird Day — May 4th

link Jerome Sala: Mother’s Day

link Jeanne Marie Beaumont: Flower & Camera
 — Flower & Camera Day — June 29th

link Chris Martin: Independence Day

link Stacy Szymaszek: Hammock Day
 — July 22nd

link Erica Kaufman: admit you’re happy day
 — Aug. 8th

link Erica Kaufman: elvis week
 — Aug. 8-16th

link Fanny Howe: Our Lady of Knock, August 21, 1879

link Jerome Sala: Anniversary

link Gregory Crosby: Columbo Day
 — Oct. 12th

link Connie Deanovich: Happy Hamlet Day
 — Oct 15th

link Amy Gerstler: All Saints’ Day
 — Nov. 1st

link Joe Brainard: Thanksgiving

link David Trinidad: Doll Memorial Service
 — Doll Memorial Day — second Saturday in December

link David Shapiro: After Ryokan
 — Winter Solstice — Dec. 21st

East Village, NYC, 2005

John Tranter: East Village, NYC, 2005

 


28

Q: What are these weird little numbers, like the one just to the right?

29

A: With this issue, we have begun to provide paragraph numbers in some long articles so that scholars and reviewers can refer to a specific section of a document when they wish to give an accurate citation. They can’t refer to a page number, which is what they usually do with books. Page numbers as such do not really exist in HTML files like this one. Please see our style guide for a long explanation of that conundrum. These numbers are not hyperlinks, and they don’t “do” anything. The ones on this page are just samples.

27

What are these weird little numbers, like the one just to the right? [answer]

Articles

link Anthony Stephens: Cutting Poets to Size — Heidegger, Hölderlin, Rilke

Heidegger (front right), 1933

Martin Heidegger (front right), November 1933

 

link Gilbert Adair: “Child-Emporererer (vacncy)”: Apprehending U.S. Empire through Robert Fitterman’s «Metropolis»

link Andrea Brady: The Other Poet: John Wieners, Frank O’Hara, Charles Olson

link Stephen Fredman: Edward Dorn

link Steve Halle: Against Lightning Flashes: Inspiration in Kristin Prevallet’s «Scratch Sides: Poetry, Documentation, and Image-Text Projects», by Kristin Prevallet

link Douglas Messerli: What is to be Done?

link Clément Oudart: Genreading and Underwriting: A Few Soundings and Probes into Duncan’s «Ground Work»

link David Rosenberg: The Lost Poets of the Wild: The Influence of the First Writing Poets in Sumer

2 nibs

Interviews

link Nicomedes Suárez-Araúz: In Search of the Night: on translating Jaime Saenz: an Interview with his translators, Kent Johnson and Forrest Gander

link Wayne Koestenbaum in conversation with Tony Leuzzi, 22 October 2004, Le Gamin Coffee Shop, Chelsea, New York

link Deborah Meadows in conversation with Romina Freschi, Buenos Aires, Argentina, 2006

Feature:
Pressure to Experiment

link Introduction (Bloomfield et al.)

link Joan Retallack: What is Experimental Poetry & Why Do We Need It?

link Jena Osman: Is Poetry the News?: The Poethics of the Found Text

link Harriet Tarlo: Radical Landscapes: experiment and environment in contemporary poetry

link Caroline Bergvall: The Franker Tale (Deus Hic, 2)

link Caroline Bergvall: Short aside to ‘The Franker Tale’.

link Vincent Broqua: Pressures of Never-at-home

link Nikolai Duffy: The Poetics of Emergency

link Josh Robinson: ‘Innocence and incapability impose’: Towards an Ethic of Experimentation

link Luke Harley: Music as prod and precedent: Nathaniel Mackey’s niggling at the limits of language

Reviews

Alice Notley, 2006

Alice Notley, 2006

link Raewyn Alexander: «Red the Fiend» by Gilbert Sorrentino

link Raewyn Alexander: «Sundays on the Phone», by Mark Rudman

link Raewyn Alexander: «Rain» by John Woodward

link James Belflower: «Harrow», by Elizabeth Robinson

link Marcelo Coelho: «Rapid Departures» by Vincent Katz, illustrations by Mario Cafiero

link Ian Davidson: «Grave of Light: New and Selected Poems 1970–2005», by Alice Notley

link Marcella Durand: «secure portable space», by Redell Olsen

link Clive Faust: «Language Is» by John Phillips

link Tom Goff: «Tap-Root: Poems» by Indigo Moor

link Michael Gottlieb: «The Anger Scale» by Katie Degentesh

link David Hart: Peter Redgrove: eight books

link Andrew Mossin: «Blue Studios: Poetry and Its Cultural Work», by Rachel Blau DuPlessis

link Linda Russo: «Terminal Humming» by K. Lorraine Graham

link Linda Russo: «Crop» by Yedda Morrison

link Linda Russo: «Chantry»  by Elizabeth Treadwell

link Standard Schaefer: «Broken World», by Joseph Lease

James Sherry: «The Grand Piano» Project:
…an ongoing experiment in collective autobiography by ten writers identified with Language poetry in San Francisco. It takes its name from a coffeehouse at 1607 Haight Street, where from 1976–79 the authors took part in a reading and performance series. The writing project, begun in 1998, was undertaken as an online collaboration, first via an interactive web site and later through a listserv.
link «The Grand Piano» Part 1 reviewed.
link «The Grand Piano» Part 2 reviewed.

link Alan Sondheim: «The Flowers of Evil», by Charles Baudelaire, translated by Keith Waldrop, Wesleyan University Press, 2006

link Jason Stumpf: «Necessary Stranger» by Graham Foust

link Donald Wellman: «Figured Image» by Anne-Marie Albiach, trans. Keith Waldrop

Poems

link Iain Britton: Lemurs and Missing Links in Loops

link Bruce Covey: Two poems: ‘Still’; ‘Good & Plenty’

link Romina Freschi: Initials (2004/05)

link Michael Kelleher: Number Crunch

link Ronald Koertge: Three Haibun

link Kristin Prevallet: Tales of Caw

link Robert Sheppard: Sonnets from «September 12»


 
Jacket 31 — October 2006 Contents page
Feature: Robert Creeley (1926–2005)
Robert Creeley

Edited by
Michael Kelleher

button Robert Creeley, ‘Wow. I called it and why not:’ 7 letters, 1950–1961, edited by Rod Smith, Peter Baker and Kaplan Harris.

button Charles Alexander: Robert Creeley: The Speech that Seeks Company (two brief notes)

button Amiri Baraka: CREELEY TRIBUTE, MAY 06 JUST BUFFALO

button Benjamin Friedlander: Reading in Pieces

button Susan Howe: Leaf   Flower in the Wind   Falling Blue  The Dark River

button From Words to Pieces: On Robert Creeley, A tape-essay by Tosa Motokiyu, Ojiu Norinaga, and Okura Kyojin, with an introduction by Kent Johnson and Javier Alvarez

button Alexander Jorgensen: Emails to a Younger Poet

button Margaret Konkol: Creeley in Age: Negative Poetics in Robert Creeley’s Late Work

button Ruth Lepson: “It Is All a Rhythm”: Robert Creeley and Steve Lacy

button Stan Persky: About Robert Creeley (1926–2005)

button Kyle Schlesinger: GETTING Behind the Word: Creeley’s TyPOGRAPHY

button Dale Smith: Space Suits: the Empirical Tradition in Robert Creeley’s «A Day Book»

button Joel Weishaus: A Poem Addressed to Robert Creeley on His Poem “Histoire De Florida.”

button Don Wellman: Creeley’s Ear

Robert Creeley
in earlier issues of Jacket:

Creeley book cover UCP

button Jacket 12 - Robert Creeley: Preface to /Against the Silences/, by Paul Blackburn

button Jacket 12 - Robert Creeley: Preface to 'Charles Olson...', by Tom Clark

button Jacket 14 - Robert Creeley: Scholar's Rocks (poem) — art by Jim Dine

button Jacket 15 - Robert Creeley: For Kenneth [Koch]

button Jacket 22 - Robert Creeley: In Memoriam Ric Caddel

button Jacket 25 - Robert Creeley — Simon Pettet’s Calling

button Jacket 25 - Robert Creeley in Conversation with Leonard Schwartz, 24 November, 2003

button Jacket 26 – Robert Adamson: Robert Creeley, 1926–2005

Feature: Letters to Poets

button Introduction: Dana Teen Lomax and Jennifer Firestone: Letters To Poets: Conversations About Poetics, Politics, and Community

button Kathleen Fraser and Patrick Pritchett

button Paul Hoover and Albert Flynn DeSilver

button Leslie Scalapino and Judith Goldman

Articles

button Charles Bernstein: Afterword to «The Holy Forest: Collected Poems of Robin Blaser» (Revised and Expanded Edition) Edited by Miriam Nichols

button Rachel Blau DuPlessis: Manhood and its Poetic Projects: The construction of masculinity in the counter-cultural poetry of the U.S. 1950s

button Jonathan Fedors: Writing Class in Kevin Davies’ «Comp»

button John Felstiner and David Goldstein: The Lure of the God: Robert Duncan on Translating Rilke

button Chris Glomski: Leafing The Now: «Depth Theology» by Peter O’Leary, «The Totality for Kids» by Joshua Clover

button Piers Hugill: «Fig» by Caroline Bergvall, and «Via: Poems 1994–2004», by Caroline Bergvall

button Tom Jones: «The Unconditional: A Lyric» by Simon Jarvis

button Poets Behaving Badly: Robert Sheppard: «Poetry Wars: British Poetry of the 1970s and the Battle of Earls Court» by Peter Barry: ‘What the Arts Council’s investigating team had failed to achieve in months I accomplished in seconds,’ boasts Osborne of the fateful meeting when the avalanche of resignations was triggered by chairman Jeff Nuttall. ‘They marched out of the room, and I asked the Secretary to be certain to record their resignations in the minutes, for fear they should come to what senses they possessed and march back in again. But they didn’t return. Was ever a victory so inadvertently achieved?’

button Anthony Stephens: Nietzsche’s Unease: The Ambiguity of Poetic Metaphor

Poems

button Caroline Bergvall: The Summer Tale (Deus Hic, 1)

button Sean Carey: Looking at Peter Porter after many years

button Sharon Dolin: Four poems: Missed Hummer / The Give, Seek, Am / This Scabbard’s Free / Lick-Over

button Landis Everson: Jack, My Vocabulary Said This

button Adam Fieled: Apparition Poems

button Alan Gilbert: from “Pretty Words Made a Fool Out of Me”

button rob mclennan: Four poems

button D.S. Marriott: the levees

button Geoff Page: Ugly Beauty

button Hazel Smith: In camera

button Mark Yakich: New Love Poem

button Jeffrey Yang: Bedsong for A — after Ian Hamilton Finlay (1925–2006)

button Todd Swift: Four poems: Confessions / The Serious Business / I’m In Love With A German Film Star / Hume

button John Tranter: Girl in Water

button Harriet Zinnes: Possibilities

button Grzegorz Wróblewski: Two poems: A Summation Scheme (About the Illness of John T.) / Black Head

The Low Countries

Editor: Karlien van den Beukel

Karlien van den Beukel, Rotterdam, 2005, photo by John Tranter

Karlien van den Beukel
Rotterdam, 2005
photo: John Tranter

button Karlien van den Beukel: Introduction [to come]

button Paul Bogaert: ADDRESS, translated by John Irons

button Arjen Duinker: Senses and Desires, translated by Jeltje Fanoy

button Hans Faverey: Poems from Three Cycles: translated by Francis R. Jones

button Astrid Lampe: 4 Poems from «Spuit je Ralkleur» (Spray your RAL Colour)

button Lucebert: Four Poems, translated by Diane Butterman

button Erik Spinoy: Three poems, translated by John Irons

button Dirk van Bastelaere: Wwwhhhooossshh (The Opera Ain’t Over Till The Fat Lady Sings), trans. Willem Groenewegen

button F. van Dixhoorn: Two Poems: ‘All at sea’ and ‘Big batten’, trans. Astrid van Baalen, with a note on the translation

button …more to follow

Reviews:

button Andrew Duncan: «The Last to Leave» by Dirk van Bastelaere

button Douglas Messerli: Three reviews: Hugo Claus, Remco Campert, Hans Faverey

button Eliot Weinberger: «Preface Against the Forgetting: Selected Poems» by Hans Faverey, trans. by Francis Jones

2 nibs

Interviews

button Janet Cardiff in conversation with Anthony Easton

button The Romantic Objectivist: Hugh Seidman in conversation with Molly Nason, 2006

Die 1

More on Flarf

button Michael Gottlieb: Googling Flarf

button Rick Snyder: The New Pandemonium: A Brief Overview of Flarf

Reviews

button Erik Anderson: Cockerels and Testicles: «Exchanges of Earth & Sky» by Jack Collom

button Martin Anderson: «New and Selected Poems» by Kelvin Corcoran

button Scott Bentley: «Perspective Would Have Us» by Erica Carpenter

button Clive Bush: «Myne. New and Selected Poems and Prose, 1976–2005» by Frances Presley

button John Couth: «Inside to Outside» by Christopher Gutkind

button Ian Davidson: «Collected Poems» by Lee Harwood

button Thomas Fink: «The Secret Lives of Punctuations, Vol. 1» by Eileen R. Tabios

button Kass Fleisher: «Nightbirds» by Garin Cycholl

button Tom Goff: «Must Be Present to Win», poems by Meg Withers

button Henry Gould: «Breeze» by John Latta

button Lisa Guidarini: «Jagged With Love» by Susanna Childress

button Edmund Hardy: «The Places As Preludes» by Gustaf Sobin

button Edmund Hardy: «Ancestors and Species: New & Selected Ethnographic Poetry» by Tom Lowenstein

button Tim Kahl: «Mulberry», by Dan Beachy-Quick

button David Kennedy: Ken Bolton, «At The Flash & At The Baci» — Four Coffees with Ken Bolton

button Michael Leddy: Homer: «Iliad» 12 CDs and «Odyssey» 10CDs, translated and read by Stanley Lombardo: ‘…I have been reading and teaching the Iliad and the Odyssey in Lombardo’s translations for several years, and I’m delighted by the ways in which listening to these readings allows nuances of the poems to register.’

button Ben Lerner: «Curves to the Apple», by Rosmarie Waldrop

button Nicole Mauro: «Twin Towers» by Basil King

button Nicole Mauro: «Gogol in Rome» by Katia Kapovich

button Bridie McCarthy: «Strange Attractors», by Louis Armand

button Tim Morris: «Word is Born», by Michael Kindellan and Reitha Pattison

button Robert Mueller: «Ledger» by Susan Wheeler

button Paul Nelson: «Lost in the Chamiso» by Amalio Madueño

button Paul Nelson: «Fulcrum» Number Four 2005

button Craig Perez: «Involuntary Lyrics» by Aaron Shurin

button Gilbert Wesley Purdy: «Concerning The Book That Is The Body Of The Beloved» by Gregory Orr

button Brian Richards: «Epigramititis: 118 Living American Poets» by Kent Johnson

button Peter Riley: «Blue Grass» by Peter Minter

button Dale Smith: «Solution Simulacra» by Gloria Frym

button Rob Stanton: «Open Clothes» by Steve Benson

button James Stuart: «The Trees: Selected Poems 1967–2004» by E. Montejo and «Walking to Point Clear» by David Brooks

button Ezra Tessler: «The Collected Fiction of Kenneth Koch», by Kenneth Koch

button Carolyn van Langenberg: «The Hoplite Journals» by Martin Anderson

button Mark Wallace: «Industrial Poetics: Demo Tracks for a Mobile Culture» by Joe Amato:
‘… That such forums continue to exist in a society often so hostile to them gives Amato at least a degree of optimism on which to conclude a book that spends most of its time detailing a vast industry of unfreedom and the anguish it causes.’

button Ivan Weiss: «Gagarin Street» by Piotr Gwiazda

button Marjorie Welish: «Spinoza in Her Youth» by Norma Cole


________________
Credit: Creeley jacket photo: The Collected Poems of Robert Creeley, 1975–2005, University of California Press, 1976.

 

People strike sparks off each other; that is what I try to note down. But mark well, they only do this when they are talking together. After all, we don't write letters now, we telephone. And one of these days we are going to have TV sets which lonely people can talk to and get answers back. Then no one will read anymore.

 — British novelist Henry Green

(to Terry Southern, Paris Review interview, 1958)

 
Jacket 30 — July 2006 Extra  — Contents page
Zukofsky — Chile — Flarf
Louis Zukofsky

Louis Zukofsky

Feature: Zukofsky

button Introduction by Michael Golston:
The Louis Zukofsky Centennial Conference
at Columbia University and Barnard College

button Charles Bernstein: Introduction to Louis Zukofsky: Selected Poems, American Poets Project of the Library of America (2006)

button Hélène Aji: Useless, Usable, Useful: Louis Zukofsky’s American Designs

button Bruce Andrews: What’s the Word: An Essay on Reading, for Louis Zukofsky’s Centennial, words from his «‘A’ 1 – 24» and «Complete Short Poetry»

button Rachel Blau DuPlessis: "A Test of Poetry" and Conviction

button Robert Fitterman: 1-800-FLOWERS: Inventory as poetry in Louis Zukofsky’s 80 Flowers,an essay in verse

button Benjamin Friedlander: FOR ZUKOFSKY/100

button Robert Grenier: A letter to Peter Quartermain

button Abigail Lang: The Remembering Words or «how zukofsky used words»

button Bob Perelman: Zukofsky at 100: Zukofsky as a Body of Work

button Peter Quartermain: Thinking with the Poem

button Jerome Rothenberg: Louis Zukofsky: A Reminiscence

button Steve Shoemaker: Modern Times: “Objectivist” Movies and Thinking Matter in Louis Zukofsky’s Poems of the Thirties, Or, The Behavior of Objects in the Gas Age

button Paul Stephens: Zukofsky, Aristotle, Objectivism, Biology

button Benoît Turquety: ‘ Our St. Matthew Passion:’ Louis Zukofsky & Film

button Tim Woods: Zukofsky at Columbia

Feature: Chile

button Forrest Gander and Kent Johnson:
«Ni Pena ni Miedo:» A Sentimental Education in Chile

nib

Feature: The Romantic- Modern Lyric

link Dale Smith: «The Romantic-Modern Lyric»: Poetry for the Non-poet

link Chris Stroffolino reviews «The Romantic-Modern Lyric» by Dale Smith

link Dale Smith: A Measure of Poetry

Articles

button David J. Alworth: Robert Fitterman’s "Metropolis XXX" and the Politics of Appropriation

button Edmund Hardy: Grass Anti-Epic: Charles Reznikoff’s «Testimony»

button James Keery: The Zone of Thermal Death (on Andrew Duncan’s «The Failure of Conservatism in Modern British Poetry» Salt, 2003)

button Marjorie Perloff: The Palm at the End of the Mind: Thomas Hines’s Wilshire, Ed Ruscha’s Sunset, Robbert Flick’s Pico

button Eliot Weinberger: Niedecker/ Reznikoff

Reviews

button Nicholas Birns: «Look Slimmer Instantly» by Jerome Sala

button Nicholas Birns «A Question of Gravity» by Elizabeth Smither

button Ryan Daley reviews «Also, With my Throat, I Shall Swallow Ten Thousand Swords,» by Araki Yasusada et al.

button Jennifer K Dick: «Anabranch» by Andrew Zawacki

button Patrick F. Durgin: «Dancing on Main Street» by Lorenzo Thomas

button T. Hibbard: «Haze» by Mark Wallace

button T. Hibbard: The Endless Crossing: Michael Rothenberg and the ejournal «Big Bridge»

button Fred Johnston: «Because Why: Poems» by Sarah Fox

button Tim Kahl: «My Devotion» by Clayton Eshleman

button Daniel Kane: «Meteoric Flowers» by Elizabeth Willis

button Jon Leon: «Vaudeville» by Allyssa Wolf

button Greg McLaren: «James Stinks (and so does Chuck)» by Nick Riemer

button John Most: «The Burial of the Count of Orgaz and Other Poems» by Pablo Picasso

button Aram Saroyan: «Where X Marks the Spot» poems by Bill Zavatsky.

button Dale Smith: "The Sweet Singer of Modernism & Other Art Writings 1985-2003" by Bill Berkson The Blender of Art

Feature: Flarf

button Gary Sullivan: Introduction

button Anne Boyer: Three Poems: A Vindication of the Rights of Women / Mom’s Undiminished Lamb Jacket / Everything Nice Has a Crafted Satin Finish

button Chickee Chickston: Three Poems: My Mary Oliver / Truckin’ Poem / My Kangaroo

button Jordan Davis: Three poems: On an 87 Ford Taurus Left Taillight / Poems About Me / Pablo Escobar Shopping T-Shirt

button Katie Degentesh: Three poems: I Loved My Father / No One Cares Much What Happens to You / I Sometimes Tease Animals

button Benjamin Friedlander: Three Poems: Galang / Why Do Jews Reject Jesus as Their Savior? / When a Cop Sees a Black Woman

button Drew Gardner: Three poems: I Am «So» Stupid / Norman Mailer / Dividing My Time

button Nada Gordon: Three poems: Abnormal Discharge / Lick My Face / ‘A Gumby episode’

button Rodney Koeneke: Three poems: The Adorno Corollary / Europe. Memory. Squid Parts. Grace. / Otto of Rose and Lavender

button Michael Magee: Two excerpts: from My Angie Dickinson / Fascist Fairytales #6

button Sharon Mesmer: Two poems: Juan Valdez Has a Little Juan Valdez (i.e., Energy Cannon) in His Pants / Squid Versus Assclown / At Princess Olga’s

button K. Silem Mohammad: Three Poems: ‘The swans come hither in great numbers’ / Goldmine / Anti-Ass

button Tim Peterson: Three Poems: Unmade Arts / From the Gecko / Biggest Dichter

button Rod Smith: Three poems: What’s happening to My Bottom (part 3) / What is Happening to My Bottom? (s’appelle Charles the Bald) / The Exposition of the Question of the Meaning of Being

button Christina Strong: Two Poems: Don’t prufrock me! / You need a valium (or «bored with blogs»)

button Gary Sullivan: Two plays: Gray Matter / PPL in a Depot

button Tarzan: Tarzan Workshop

Poems

button Ian Davidson: The Body Con

button Thomas Devaney: Deliberate — «After Lorenzo Thomas»

button Liam Ferney: Two poems: A Stolen Letter / Blonde on Blonde

button Daniel Kane: Ostentation of Peacock (I counted eighty-five tail feathers)

button John Kinsella: Graphology 590: Peak

button John Latta: Two poems: Kid / Qualms

button Gregory O’Brien: Solidarity with the anchovy

button Simon Perril: daylight robbery

button George Wallace: Purple Eggplants in the Rain, for Stanley Kunitz

 
Jacket 29 — April 2006 — Contents
Flarf — Schuyler — Mallarmé — Poland — Avison —
Dan Dactyl comic
Feature: Gilbert Sorrentino
Edited by Ken Bolton